What is coffee embossing? Pull Flower Cup Embossing Experience Embossing Details with Wing Tulip

Professional coffee knowledge exchange more coffee bean information please follow the coffee workshop (Wechat official account cafe_style)

Analysis of the steps of coffee flower drawing how to avoid the pattern deviation? Tips for flower drawing

Drawing cup experience + embossing experience + embossed eyebrow angle (important) + wing tulip experience

The experience of the flower cup: choose a flower cup, and then keep practicing

Maybe different flower cups are more or less suitable for different patterns.

But the key point is whether to understand the eyebrow angle of each pattern.

If you don't know the eyebrow corner of a pattern, changing the flower cup won't make the pattern look better.

On the contrary, if you have to adapt to the new cup, it will probably become a lot weaker.

This experience was actually mentioned in PO, and later I saw some films and felt even more deeply.

Https://www.facebook.com/kktjjol?pnref=story

This FB is a Korean master who often PO his films.

The master is not so magical when using Tiamo HC7020.

Embossing experience: different patterns are suitable for different foam states and fusion degrees.

It's a bit of nonsense, and it was said a long time ago.

But what I want to say here is that different patterns are suitable for different states. Very. Many

Several PO's own experience said:

"rosetta is relatively simple. Just blend the coffee cup to 1/2 full and then start to do it.

Wing tulip is more complicated, and we will start to do it when we reach 1/3. "

It's not enough! To more specialize different patterns and different states!

First of all, the pattern that needs embossing needs mobility.

Need to be non -. Chang. Good liquidity

Basically, mobility depends on the thickness of milk bubbles. The thinner the milk bubbles are, the more liquid they are.

First achieve the mobility in the film, and then talk about embossing

(roughly described, the film enters the water from the left middle of the coffee cup and flows to the right middle = > the fluidity of half the cup)

In my own case, after pulling and pushing the foam, it would probably be as thin as 0.1--0.2cm in order to achieve this kind of fluidity.

And the reason why it is necessary to specialize different patterns and different states

For example, when a master likes to do a combination of leaves and love, it is obvious that stability is more important than mobility.

I haven't started to practice that kind of combination picture yet, but I think I need a thickness like 0.4--0.6cm to get higher stability.

In addition, the less liquid in the coffee cup, the better the fluidity.

It is conceivable that the sloping walls of coffee cups with little liquid help to enhance fluidity.

When the liquid is full, it can only flow by the fluidity of the foam itself.

Looking at various films, we can also find that many master wing tulip began to draw when they were about 1/6 full.

Of course, there are also those who did not start drawing until 1/4 as the Korean master of FB above began to draw.

Probably in order to increase the stability of the graph.

Embossed eyebrow angle (important):

"after a slow start, you have to speed up and move forward."

Like thunder at the top

In fact, it has been observed in the film all the time, but it has not been absorbed.

Looking back at the previous wing tulip, it is obvious that the middle parts of the embossing are glued together.

After understanding the angle of the eyebrow, the part that sticks together in the middle of the embossing is gradually separated.

Finally, wing tulip realized that the middle layer of wing tulip should be big and push the inside of the embossed part.

This experience has just been discovered, and it still needs to be practiced.

Look at the master's wing tulip and his own wing tulip and find out

The middle layer of my wing tulip is too small and doesn't push a little more toward the embossed part.

The middle layer of the wing tulip is an important part of the embossed needle that turns the embossed needle into a concave shape.

(to be confirmed by practice)

.